Aronner Artonad  (English: Sylvan Tears)

Aronner Artonad (English: Sylvan Tears)

40-minute documentary film on Modhupur sal forest, its demise and the forest people

Direction and screenplay: Philip Gain
Produced by Society for Environment and Human Development (SEHD)
2018, 40-minute documentary film (English and Bangla available in DVD).

The documentary film, Aronner Artonad (Sylvan Tears), produced by Society for Environment and Human Development (SEHD) shows the current condition of the Modhupur sal forest, its demise and strained relationship between the forest villagers and the Forest Department. The stories of victims of physical violence including killings and forest cases and underlying factors for phenomenal destruction of Modhupur sal forest is at the centre of the documentary film. Of approximately 5,000 forest cases in entire Tangail district, 4,500 are in Modhupur sal forest area. The victims of forest cases narrate their insurmountable sufferings.

The key underlying factors for demise of Modhupur forest are rubber plantation that was initiated in 1986, social forestry beginning in 1989, and commercial scale plantation of banana, pineapple and spices in place of natural forest of sal-gajari.

The characters of the documentary film are seen in deep grief. They appeal to the government to save Modhupur forest and the forest villagers.

YouTube video link: https://www.youtube.com/watch?=l3Djj9E2Img; Bangla: https://www.youtube.com/watch?v=gkLb25TlfnM&t=7s

Cha Sramiker Jibon O Sangskriti (Life and culture of the tea workers)

Cha Sramiker Jibon O Sangskriti (Life and culture of the tea workers)

Documentary film (Bangla and English, 13 minutes)
Direction and screenplay: Philip Gain
Produced and presented by: Society for Environment and Human Development (SEHD), 2020

A section of those brought to the tea gardens of Assam by the British planters beginning more than 150 years ago are tea workers in today’s Bangladesh. Most of around 500,000 tea workers and their family members are Hindus and non-Bangalee. Labour lines in the tea gardens are their permanent residence. Most stunning of these tea workers are their diverse ethnic identity, language and culture. In its recent research Society for Environment and Human Development has identified around 80 smaller ethnic communities in the tea gardens. Of these communities, 23 are found in the official list of the ethnic communities.

The documentary film shows us the life and diverse cultural heritage of the tea workers. The performances of different ethnic communities and language groups are very refreshing. For example, stick dance and branch dance are the key traditions among the Telegu-speaking Mandraji, Almik, Rajbhar, Tanti, Goala, Naidu, Kurmi, Teli and Reli communities. Stick dance is also popular among other communities. It is a common item in any cultural performance. Both boys and girls participate in stick dance. Branch dance is known as ‘Gentu Bajini’ among the Telegu. ‘Gentu’ means jumping and ‘Bajini’ means glorification. We see this in branch dance.
The attempts to keep these cultural traditions alive should be strengthened, trust the Telegu-speaking people.

The Shobdokor people show the colour of their culture with musical instruments. Their artists amuse people with their Dhamail and Shib-Gour dances in social and religious rituals, worships and festivals. Dhamail dance is indispensable in marriage ceremony in the Hindu community. Songs, dances and music we see among other communities in the tea gardens have no end.

Songs and dramas are not only entertaining, they also portray distress, pains and deprivation of the tea workers. Protik Theatre based in Deundi Tea Garden in Hobiganj district is a pioneer in this regard. More than sixty artists of Protik Theatre regularly practise culture and perform on stage. A glimpse of Nij Bhume Parabashi, a drama they perform, which portrays deprivation in the tea gardens is seen in this film. They excel also in patriotic songs and stage drama.

The Monipuri and Khasi are among their nearest neighbours. They are often-time seen together on the stage. The war dance of the Khasi and Mridanga and Rush dances of the Monipuri glisten the stage and fill the hearts of the viewers with joy.

The tea workers’ life is full of pain. Yet their songs, dances and dramas are so diverse and colourful. They share joy with cultural performances not only among themselves, but these are much appealing to their Bangalee neighbours as well. But sadly enough many of their languages and cultural heritages have lost due to neglect. Alongside Bangla language and Bangali culture, their diverse languages and culture need to be protected. The message of this documentary film is clear: cultural exchange can build bridge between the tea communities and the majority Bangalee and state sponsorship and attention of the majority community is crucial for protection of their culture.

Elegy on Land (Matir Maya)

Elegy on Land (Matir Maya)

30-minute documentary film on soil and blood in Northwestern districts of Bangladesh

When politics, religion andpoverty collide in the struggle for land, the results can be catastrophic. Such is the nature of the stories described in Elegy on Land or Matir Maya, a 30-minute documentary film produced by Society for Environment and Human Development. The film gives a vivid description of the struggles of different ethnic communities of the Northwestern districts of Bangladesh to retain the ownershipto their lands.

Direction and screenplay:  Philip Gain | Produced by: Society for Environment and Human Development | Available in English and Bangla

The film takes us through the plains of Rajshahi to Dinajpur to Gaibandha and tells the stories of five cases of land dispossession and the subsequent quest for justice. Fear of murder, pillage and destruction are ever-present throughout this documentary. Its ultimate message is simple: urgent action must be taken to protect the land rights of Bangladesh’s impoverished, deprived and excluded ethnic communities.

The documentary starts off with the story of Sicilia Hasda of Pachondor village in Rajshahi, a Mahle woman whose family lost everything when their house was demolished with the help of the local police following an eviction decree based on false claims of ownership by Bangalees from a neighboring village. Her emotional recounting of her tale poignantly illustrates the current situation and what is at stake for many in Bangladesh’s ethnic communities.

In Nawabganj, Dinajpur, we are introduced to Robi Soren, a Santal from Kachua village, whose father and grandfather were both killed by land grabbers and saw no justice for their crimes. His story illustrates the cycle of violence, poverty and fear that affects generation after generation of ethnic minority communities amid the lawlessness that is endemic of Bangladesh’s convoluted land tenure system.

In Chapainawabganj, Bichitra Tirki, an Oraon woman recounts her struggle to regain control of her husband’s rightful property after his death and the terror and constant attacks she had to endure as a result.

In Chirakuta village of Dinajpur, clashes between the Santals and Bangalees over control of land have led to bloodshed and heartbreak for both communities. In the documentary, we are introduced to individuals from both sides of the clash as they recount what they have lost and the pain that they have had to endure as a result of the conflicts. Their stories poignantly illustrate the true human cost of Bangladesh’s hunger and obsession for land.

In Gobindaganj upazila of Gaibandha, we are introduced to a local adivasi land rights movement called, Shahebganj Bagda Farm Bhumi Uddhar Shongram Committee (Shahebganj Bagda Farm Land Reclamation Struggle Committee) and the activists that are fighting to regain control of the land they lost when the Pakistan government acquired it to establish the now-defunct Rangpur Sugar Mill in 1955.

These stories cover a wide range of ethnic groups and geographies but the underlying themes remain the same. A lack of legal protection coupled with the passivity of the state makes minority groups vulnerable to violence and predatory land grabbers and creates a cycle of landlessness and poverty, which has socioeconomically crippled many of these communities.

The documentary takes us through an emotional journey. The ending, much like the subject matter, remains open and unresolved. The ultimate fate of the characters we have met in the documentary remains unknown. In these stories, there are likely no happy endings.

SEHD Launches three new books and one documentary film

SEHD Launches three new books and one documentary film

SEHD Launched its three new books: (i) Shores of Tear, (ii) Bangladesh: Land, Forest and Forest People (English, 3rd Edition), and (iii) The Environmental Impacts of the Pulp and Paper Industry in Bangladesh and one documentary film, “Shores of Tear” at CIRDAP Auditorium on 29 June 2014. These new production and publications of SEHD present critical insights on some of the key environmental issues of Bangladesh and how we address the climate change issues on the ground.

 “We talk about climate change and pay little attention to on the ground situations”
—Dr. Hossain Zillur Rahman

“Abuse of power is the main factor for environmental degradation,” said Dr. Hossain Zillur Rahman. “We talk about climate change and pay little attention to on the ground situations.” Dr. Rahman, an eminent economist was speaking at the book launch and premiere screening of documentary film of the Society for Environment and Human Development (SEHD) organized in Dhaka on 29 June.

 Dr. Rahman went further self-critiquing, “We, the economists are confined to a one-way discussion. We have made development philosophy problematic. We must keep in mind that Bangladesh is no more a country of famine. But we need to seriously think which path we take without causing harms to the environment.”

 The 26-minute documentary film screened is Shores of Tear directed by Philip Gain. The three books launched are: Shores of Tear, Bangladesh: Land, Forest and Forest People (English, 3rd Edition), and The Environmental Impacts of the Pulp and Paper Industry in Bangladesh. The documentary film and the books, compendium in nature, present facts, anecdotes, images, and analyses on central issues that relate to the state of our shores, forests, and communities living in the forests. These new production and publications of SEHD also present critical insights on how we address climate change issues on the ground.

Prof. Nazrul Islam, former chairman, University Grants Commission (UGC) of Bangladesh was the chief guest at the event. Chaired by Prof. Sakhawat Ali Khan, researchers, scholars, environmentalists, activists and media personalities reflected on different aspects of our shores at risk, degradation of forests and their underlying factors, and environmental impacts of the pulp and paper industry. They based their discussions and reflections on the documentary film and the books.

On SEHD’s three books that have resulted from its years of investigations and research, Dr. Rahman, said, “These books have a common thread and that is to raise important national issues for all. SEHD’s investigation plays an important role for inclusion of local people’s voices and judgment in development philosophy.”

 Prof. Anu Muhammad, an economist and an activist in the frontier of resistance movement against environmental degradation in Bangladesh said, “The documentary film and the three books question the contemporary development philosophy. It is in the name of development that military officers, bureaucrats and political leaders have grabbed land in the Chittagong Hill Tracts (CHT) and have introduced rubber, tobacco, other commercial plantations and have pushed for development activities that cause harms to environment. The state laws and the agencies help in continued land grabbing processes. As a result, the indigenous people are evicted from their traditional forest land.”

      Prof. Anu criticized the way the government setting up a coal-fired power plant near the Sundarbans, the largest contiguous mangrove forest in the world. Such plant [in Rampal in Bagerhat district] poses a serious threat to the Sundarbans. To make the situation worse Orion Group, a private company is planning to set up another 565 megawatt coal-fired power plant next to Rampal Power Plant and even closer to the Sundarbans [at Biddarbaon, Mongla) without following environmental rules and regulations.”

 Khusi Kabir, a well-known development activist consistently talking about the adverse social and environmental impacts of shrimp aquaculture said, “The people in the coastal districts have been immensely suffering from the adversity of commercial shrimp farming for a long time. The local people have always been struggling to cope with natural disasters that hit the coasts. Commercial shrimp farming on agricultural land and in the mangrove areas have made their struggle tougher.”

 In his welcome address, Philip Gain, the director of SEHD, gave an overview of the contents of the books and documentary film. The documentary film “Shores of Tear” highlights the negative environmental and social impacts of shrimp aquaculture in Bangladesh’s coastal regions and documents the work of activists and the local communities to stop this harmful practice. The book, “Shores of Tear”, complies reports, features, and scientific analyses that explain the ever-changing coasts of Bangladesh, its characteristics, and the threats it faces. The book, “Bangladesh: Land, Forest and Forest People (English, third edition)”, enriched with many new reports, stories, and analyses, will help its readers better understand forest related issues as well as the life and struggle of the peoples who still cling to the forests materially, culturally, and psychologically. The other book, “The Environmental Impacts of the Pulp and Paper Industry in Bangladesh” authored by Asfara Ahmed provides a helpful overview of the pulp and paper industry in Bangladesh and its environmental impacts.

 In a curated discussion session that followed the launching, a galaxy researchers, writers, media personalities and activists reflected on the art and impacts of research, writing, reporting and documentation on forests and forest communities. Curated by Dr. Tanzimuddin Khan and chaired by Gautam Dewan, Convenor, Movement for the Protection of Forests and Land Rights in the CHT, Philip Gain, Dr. Shapan Adnan, Afsan Chowdhury, Dr. Nirupa Dewan, Ishtiaq Uddin Ahmed, ZuamLian Amlai, Eugin Nokrek, and Shaktipada Tripura shared insightful experience, thoughts and reflections on research and writing done on the forests and forest communities and their impacts during the last few decades.

http://www.dhakacourier.com.bd/?p=18179

Shores of Tear documentary film (Bangla and English in DVD)

Shores of Tear documentary film (Bangla and English in DVD)

Abdul Khalil has lost everything to the cyclone Aila. Or is nature only to blame? The enlightening documentary presents how shrimp cultivation has devastated coastal villagers like Abdul Khalil, even as they try to fend off the devastating strike of Mother Nature.

The documentary provides conclusive evidence from accounts of the victims of Aila, and relevant experts on how the shrimp farms are responsible for the collapse of embankments that protected the settlements in this South-western region. The documentary also presents with conclusive proof that shrimp aquaculture is leaving severe negative environmental and social impacts on Bangladesh’s coastal region that is routinely devastated by some of the world’s natural calamities. Views of experts have been presented, as have been the sufferings of the populace devastated by shrimp cultivation. Furthermore, harvest of shrimp fry from the coastal rivers and the coasts and apple snails from wetland to feed the shrimp is also ecologically very destructive.

Using agricultural land for shrimp farming has resulted in a cycle of poverty in many communities, as residents are no longer able to find employment as agricultural workers. As prominent social activist Khushi Kabir said, “It is ridiculous that we are producing shrimps for export at the cost of rice, pulses and vegetables. It is a contradiction with self.”

However, there is still hope for these communities by giving up shrimp aquaculture on agricultural land or following more environmentally friendly semi-intensive cultivation methods. This documentary hopes to raise public awareness of the true realities of shrimp cultivation in Bangladesh’s coastal regions. The key final message the documentary film conveys is that that proper policies got to be in place considering all the harmful effects of shrimp aquaculture and the coastal traditions and affluence must be brought back.

Publication Details

Published: 2013
Language: English
Length: 26 minutes
Director: Philip Gain
DVD: Tk.200 / US$10

Abdul Khalil has lost everything to the cyclone Aila. Or is nature only to blame? The enlightening documentary presents how shrimp cultivation has devastated coastal villagers like Abdul Khalil, even as they try to fend off the devastating strike of Mother Nature.
2013, 26-minute documentary film (Bangla and English in DVD) | Tk.200 / US$5

The Story of Tea Workers – Documentary 

The Story of Tea Workers – Documentary 

The life, grim work conditions, and struggle of the indentured tea plantation workers of Bangladesh. 2009, English and Bangla, 44 mins. DVD Tk.200 / US$ 10 | CD Tk.100 / US$5

The Story of Tea Workers, a 44-minute documentary film, shows the life, grim work conditions, and struggle of the indentured tea plantation workers. One of the most marginalized and excluded community of Bangladesh, the tea plantation workers have remained captive in the tea estates since they were brought by the British companies more than 150 years ago. The film is factual and thought provoking.

Publication Details

Published: 2009
Language: English and Bangla
Length: 44 minutes
Director: Philip Gain and Ronald Halder
DVD: Tk.200 / US$10
CD: Tk.100 / US$5